GWAR - The Blood of Gods Tour

Doc Roc Presents

GWAR - The Blood of Gods Tour

Ghoul, He Is Legend, U.S. Bastards

Tue Nov 28

Doors: 6:30 pm / Show: 7:30 pm

Cain's Ballroom

Tulsa, OK

$20.00 - $35.00

This event is all ages


Advance $20
Day of Show $22
Door $22
Mezzanine (21+) $35


There is a $2 fee that applies to each ticket purchased at the Cain's Box Office.

No re-entry! No smoking! No refunds!

Support acts are subject to change without notice!

GWAR
GWAR
The story of GWAR is carved across the history of this barren and hopeless planet, but GWAR themselves are not of this world... their story begins in the deepest reaches of outer space. Long ago, the beings who would become the rock band GWAR were part of an elite fighting force, the Scumdogs of the Universe. For eons, they served as thralls to a supreme being known only as the Master. But one by one, each future member of the band earned a glaring reputation for being an intergalactic fuck-up. And so, they were banished, sent away on a fool’s errand to conquer an insignificant shitball floating in a dark corner of the universe; the planet Earth. Once here, GWAR shaped the face of the globe, destroying and rebuilding the natural world, and giving rise to all of human history. Aliens to some, gods and demons to others, our erstwhile Scumdogs fucked apes to create the human race, and this fateful unplanned pregnancy would prove to be truly disastrous!

Their new album, “The Blood of Gods” is nothing less than a sacred text chronicling the rise of humanity against their makers, and the massive battle between GWAR and the forces of all that is uptight and wrong with the world. Along the way, the band challenges the sins of their great mistake, from politics, pollution, and organized religion, to fast food, and factory farming. Humans are shown as what they are; a parasitical disease that must be eradicated before they suck the planet dry. Meanwhile, Sleazy P. Martini, the crooked entrepreneur who discovered the Scumdogs, and has always envisioned them as a sort of horrific boy band, finally managed to convince the group to write a hit song called “I’ll Be Your Monster.” If all goes according to plan, it may be just stupid enough to work!

Of course, “The Blood of Gods” is the first GWAR album without the band’s fallen leader, Oderus Urungus. The title of the album refers to the loss of Oderus. and the struggles and triumphs that produced the new sound of the band. Born of adversity, “The Blood of Gods” is a sonic scar...a question asked and answered...Death cannot kill GWAR. Nothing can. GWAR LIVES MOTHERFUCKERS!
Ghoul
Ghoul
Not much is known about Ghoul as they are always seen wearing masks. The members go by the stage names Cremator, Fermentor, Digestor, and Dissector. The band has a large line-up of characters in their lyrics, including the four of themselves. Most of the information about them comes from the "Curio Shop Owner" one of the many characters mentioned in their songs. They claim to be mutants that came from Creepsylvania. Ghoul was signed after self-releasing a demo. Their musical style is best described as a blend of thrash and death metal with death metal vocals and lyrics.
He Is Legend
He Is Legend
Belief can be a powerful thing. When shared even among a small group, possibilities remain endless.

That brings us to He Is Legend’s fifth full-length offering, few [Spinefarm Records]. The communal faith belonging to a cadre of musicians, artists, and fans brought the collection to life. That’s why the title, a nod to Madame Helena Blavatsky’s occult treasure The Voice of the Silence, feels so cosmically apropos for the Wilmington, NC quartet — Schuylar Croom [vocals], Adam Tanbouz [lead guitar], Matty Williams [bass], and Denis Desloge [guitar].

“This is dedicated to the people who supported us through everything,” declares Croom. “I was inspired by the words of Helena Blavatsky. She’s basically the godmother of the occult, and she dedicated one of her books to the few. Basically, that means the few that follow the way. I thought it was very fitting for what we do. It took just a few artists and a few thousand of our fans to come through and say, ‘Fuck yeah, we want you to do another record.’ We left it up to them.”

In 2015, He Is Legend wrapped up a marathon tour cycle for 2014’s triumphant Heavy Fruit with the likes of Maylene and the Sons of Disaster and Wilson. As songs like “This Will Never Work” cracked 370K Spotify streams, Heavy Fruit elevated the group to a new plateau with acclaim from Alternative Press, Revolver Magazine, L.A. Music Blog, New Noise, Ultimate Guitar, and many more.

Returning home, the boys allowed their audience to make a decision on what would become album number five…

“We started a crowdfunding campaign on Indiegogo,” Croom goes on. “If we met the goal, we’d do it. If not, we wouldn’t. It was all or nothing. The response was pretty overwhelming. We found new life, energy, and creativity in this as a result.”

With unique incentives like smoking jackets, amulets, and action figures, He Is Legend impressively raised 124% of their goal. During December 2015, the band retreated to a remote cabin in Carrboro, NC just 20 minutes from Warrior Sound: the studio where they cut both Heavy Fruit and It Hates You. The snowy setting and isolation instigated inspiration within Croom.

“The cabin was really pivotal for us,” he says. “There was no cell phone service. The couple that owned it had dogs and cats roaming free. It’s this nice place literally in the middle of nowhere. Rather than turning on the TV at night, we’d be sitting around a fire to stay warm drinking wine. It brought an element of darkness out of me. I was in a strange place, dealing with some personal and family issues. I channeled that as I was stuck in the snow lonely.

There was this longing for summer. In my eyes, the cabin had more to do with this music than we would readily admit.”

This time around, the guys produced few with Warrior Sound owner Al Jacobs. They amplified every element of their signature style. Summoning ghosts of White Zombie, Soundgarden, and Nirvana, the riffs hit harder, the lyrics cut deeper, and the rhythms stick longer.

“We tried to go for a minimalist approach,” he goes on. “We wanted to focus on all of the aspects we’ve ever brought to the table. There was a lot of anger and hostility in the music. That mainly came out of us redefining what we used to do really well. Our sound has changed a lot over the years, but that’s important for us to grow. Our fans expect us to morph a little. There’s a little bit of all our previous records in this.”

few takes flight on the hypnotic guitars and haunting harmonies of opener “Air Raid.” It quickly blasts off into a gut-punching slam and powerful chant, “I don’t know why she’s out of breath at the door of death.”

“‘Air Raid’ hits you like the fucking end of the world,” he exclaims. “It’s pretty self-explanatory as far as the lyrics go. It’s about how the earth wants humans to be gone. We’re a fucking cancer. It could shake us off like a dog shakes off flees. It’s as political as I’ve ever gotten.”

“Sand” snaps into a barrage of distortion and percussion before slipping into one of the set’s most unforgettable choruses. “It’s the shortest song,” he continues. “It’s a banger that gets in and gets out. Lyrically, it’s about personal issues in my life I’ve been facing for a while.”

Elsewhere, the psychedelic elegance of “Gold Dust” unlocks another facet of the fours-piece. “That might be my favorite song,” he admits. “There’s always one song that pushes where we are and shows where we could go next—or might not ever go again. I used a lot of imagery from a story that a friend told me. He ate mushrooms and had a spiritual awakening. I wrote from his experience and weaved some of my own into it. It’s about trying to see again what you’ve seen when you’re under the influence.” Completing the album, He Is Legend found the right partner for release in Spinefarm Records. Now, few are about to become many in 2017.

“I want fans to feel like this album is theirs since they were ultimately responsible for it,” Croom leaves off. “We had to make it perfect for them. It’s important for us to hug them and say thank you as much as possible. We accomplished something great through having a cult following that wanted us to continue. I think it’s important for people to know that and see this came to life because of them.”
U.S. Bastards
U.S. Bastards
U.S. BASTARDS started originally as U.S. Brass, a rock and roll trio in the summer of 2007 consisting of Brent Purgason, Peter Simms and Josh Price. John Kelly was quickly added as a second guitar player to complete the wall of sound. The band would play their first show in November 2007 at the Richmond Tattoo Convention hosted by the late Billy Eason. The material performed would end up making the first album, most of which was written in 2005 after Purgason left Richmond rock band, The Deviltones in pursuit of a different sound.
A few friends have come and gone as players in the band and in 2010 the U.S. BRASS HAS NO CLASS EP was released in limited numbers with Brian Porter on drums and Zack O'Carroll (Antietam 1862, Humungus) on bass guitar.

Fast forward to 2012 Jeremy Dutra came aboard on drums and the band returned to being a three piece with Kelly moving from guitar to bass. That same year Purgason assumed lead guitar duties in the legendary band of intergalactic scumdogs known as GWAR.
As of 2014 the band started working on their second full length and the sound had evolved quite a bit since the beginning. U.S. BRASS became U.S. BASTARDS, playing music that's faster, harder and darker than before.
Venue Information:
Cain's Ballroom
423 N Main St.
Tulsa, OK, 74103
http://www.cainsballroom.com