Randy Rogers Band

Doc Roc Presents

Randy Rogers Band

Jake Flint

Fri Aug 17

Doors: 7:00 pm / Show: 8:30 pm

Cain's Ballroom

Tulsa, OK

$22.00 - $37.00

Sold Out

This event is all ages


Advance $22
Day of Show $25

Door $25
Mezz 21+ $37

There is a $2 fee that applies to each ticket purchased at the Cain's Box Office.

No re-entry!  No smoking!  No refunds!

Support acts are subject to change without notice!

Randy Rogers Band
Randy Rogers Band
Authenticity isn’t something that can be manufactured in a studio. It’s not a craft that can be learned or artfully practiced. It comes from living life. It’s the byproduct of blood, sweat and tears and as the foundation for music, it elevates mere entertainment to compelling art. Every note, every word on the Randy Rogers Band’s new album Nothing Shines Like Neon rings with authenticity that makes each song linger with the listener long after the music fades.

“You’ve just got to be true to yourself and you can’t fool anybody,” Rogers states matter of factly of the band’s philosophy. “As a whole, our body of work is pretty consistent to our live show and the band that plays on the record is the band that you go see.”

The same line up has been performing together since 2002 and the music has evolved as they’ve soaked up life experience. “As men we’ve all matured and lived a lot of life together,” Rogers says. “We’ve had a few breakups happen to us. We’ve had babies. We’ve had life changes. We’ve been on the road 200 shows a year. I’ve been in this band 15 years so a lot has changed. I still listen to Merle Haggard every night. I mean that hasn’t changed, but a lot has changed for us musically and privately. We all are in a good spot and we all are just as good friends as when we started.”

Camaraderie and creativity have made Rogers and bandmates Geoffrey Hill (guitar), Johnny “Chops” Richardson (bass guitar), Brady Black (fiddle), Les Lawless (drums) and Todd Stewart (utility player) one of the top bands on the competitive Texas music scene. Nothing Shines Like Neon continues the momentum established by the band’s four previous albums—Randy Rogers Band, Burning the Day, Trouble and Homemade Tamales, each of which went to No. 1 on iTunes. Earlier in 2015, Rogers joined friend Wade Bowen to record the critically acclaimed album Hold My Beer Vol. 1.

Produced by Nashville legend Buddy Cannon (Willie/Merle) at Cedar Creek in Austin, RRB’s news album Nothing Shines Like Neon showcases the band’s taut musicianship as well as Rogers’ earnest vocals and insightful songwriting on such instant classics as the groove laden “Rain and the Radio,” the heartbreak anthem “Neon Blues” and the playful “Actin’ Crazy,” a duet with Jamey Johnson. “Jamey and I wrote that song together,” Rogers notes. “I met a movie star a few days before Jamey and I were going to write. I was in LA playing at the House of Blues and he came out to the show. I was thinking about him …and thinking about being a struggling actor living in LA and having to put up with all the bullshit that LA is. I just wrote that song about him.”

The album opens with the fiddle driven shuffle “San Antone”. “That is a Keith Gattis song. He wrote by himself. Being from Texas and living so close to San Antonio, I don’t think that song is going to hurt me at all,” Rogers laughs. “It’s one of those songs when I heard it I was like, ‘Oh hell! Why didn’t I write this song?’”

“Takin’ It As It Comes” features Lone Star legend Jerry Jeff Walker. “I’ve been a big fan of Jerry Jeff’s all my life,” Rogers says. “He came in the studio with us, got in there with the band, jumped around and played guitar and sang. We had a great time.”

“Rain and the Radio” is Rogers’ homage to Ronnie Milsap. “I wrote that with Sean McConnell. He and I have written a lot of songs through the years. I’ve always been a huge Ronnie Milsap fan and to me that song has a little Milsap feel to it, kind of a bluesy country thing, which we haven’t done before. Any artist that I look up to always tries to create something different and pushes the envelope a little bit. I think we do with that song in particular. It’s very country. It’s just very different. As a band, we’re trying to broaden our horizons and I don’t think that’s a bad thing. If we were all just stuck doing the same old thing, we would all be bored. We probably wouldn’t still be here. It’s just a matter of spreading your wings a little bit.”

“Look Out Yonder” is a poignant tune Rogers recorded in honor of his mentor, the late Kent Finlay. “Kent gave me my start in the music business. Up until the day that he died, we talked about songs and about music,” Rogers says. “We actually named the record, Nothing Shines Like Neon after a lyric in one of his songs as a tribute to him. Alison Krauss and Dan Tyminski are singing on ‘Look Out Yonder’, which was written by Earl Bud Lee, who is most famous for writing ‘Friends In Low Places’. He and I have been friends for 10 years and he has always wanted me to cut that song. I’ve never had a record where it fit and just thinking about losing Kent and Kent going to heaven and joining his mom, ‘Look out yonder coming down the road’ it just fit. I haven’t performed that song yet live, but I know I’m going to have a hard time getting through it. The day we started our record, I got a call that Kent passed away so this record is definitely dedicated to Kent. That song makes me think about all of us musicians and how we are crazy as hell and lead the most unorthodox lives. Most of us return back to our roots, so hopefully this is an album that glorifies Kent’s life and is also a nod to the traditional sounds that we all grew up loving.”

A native of Cleburne, Texas, Rogers grew up addicted to traditional country music. “I wanted to be George Strait when I was in the sixth grade,” he says with a smile. “And I grew up listening to Willie Nelson and Merle Haggard, I’ve listened to them more than anybody else, my whole life. I always liked songs. I always wanted to find out who wrote the songs and what the songs were about. I always liked the art and the craft of being a songwriter. My dad’s Beatles records got played a lot and Michael Martin Murphy is another one I listened to a lot as a kid. My dad was a huge fan.”

Like many artists, Rogers got his start performing in church and then expanded to local venues. “I could write a song when I was pretty little, 11, 12 or 13,” he says. “It’s like a kid who could do calculus or something. It was just something that clicked in my brain for me. I went and finished college and got a degree in public relations and then started a band.”

Since then the Randy Rogers Band has steadily built a following that has spilled beyond their native Texas. For the past 10 years they’ve recorded for Universal Music Group, but on Nothing Shines Like Neon, Rogers again takes the reins, releasing the album on his own Tommy Jackson Records, named after a song he wrote for their very first album. “It’s a very obscure Randy Rogers Band song and to this day there is always this one drunk kid at a show that says, ‘Play “Tommy Jackson!” Play “Tommy Jackson!”’ It’s kind of a running joke within our band. It’s like, ‘How in the hell did this kid in Iowa City, Iowa remember that stupid song “Tommy Jackson?”’ It’s about a guy who is on the run from the cops, wanted for murder. It’s a story song and we just felt like it was a unique way to name a record label.”

Nothing Shines Like Neon is a stellar collection in an already impressive body of recorded material that owes a lot to the band’s potent live show. “You come to a show, you know what you’re going to get,” Rogers says. “We’ve worked hard at making ourselves better on stage and we care about our live show. It’s a way to come out and unwind, and we’ve stuck to writing songs that are about real life, about breakups or divorces, falling in love or babies being born, and in the case of this record even death, the ups and downs of life. People can relate. That’s what country music is supposed to be. Our band has been around for a long time because there’s no bullshit to us. We’re not in it to be rich and famous. We’re in it to make a living, provide for our families and do something that we all love. You can’t fool people and we haven’t ever tried. I think that’s the key.”
Jake Flint
Jake Flint
Jake Flint is a Red Dirt singer/songwriter who resides in rural Mounds, Oklahoma. Jake was born in 1985 and raised in the oilfield boom town of Holdenville in South Eastern Oklahoma, the son of a wildcat oilman and a hard-working mother of two. He was transplanted to Tulsa, Oklahoma where Jake says he was always the “outcast country kid in the city.”

Jake’s father was a music lover and raised him on John Denver, James Taylor and Dire Straits along with various Texas singer/songwriters such as Guy Clark, Townes Van Zandt, Steve Earle, John Prine and others. Because of his shortcomings at fitting in as a city kid, Jake tagged along with his older sister’s crowd and got a hefty dose of 90s grunge rock from Nirvana, Pearl Jam, and Foo Fighters. He was also exposed to Dave Matthews Band, John Mayer, Guster, David Grey or whatever else he heard coming from his sister’s room.

Jake’s first introduction to playing music was a result of his father having been diagnosed with A.L.S. or Lou Gherig’s Disease and was not able to physically provide interaction to his son. Concerned about not being able to participate with Jake in sports, his father commissioned a couple of his lifelong best friends to teach Jake to play guitar and take him to regional bluegrass festivals. Jake discovered a love of bluegrass music which soon transitioned into a love for jam bands such as Phish, String Cheese Incident, and Bela Fleck & The Flecktones. It was at this time that Jake was inspired to write his own music.

Jake’s next musical phase was his discovery of songwriters born out of the Texas and Oklahoma music scene past and present; Tom Skinner, Bob Childers, Boland, Canada, McClure, Chris Knight among countless others. This is where Jake found himself, his musical inspiration, and launched his own singer/songwriting career.

Jake recently wrote and recorded his first record produced by Mike McClure in the Boohatch Studio, in Ada, Oklahoma. The record is similar in musical stylings as the Great Divide and Cross Canadian Ragweed as Jake intended. With the help of Mike McClure and his band mate Taylor Reed, along with Jon Knudson from Whiskey Myers, and Jake’s good friend Cody Woody, they performed all the instrumentation on the record.

Jake admits that at too young of an age he experienced many of life’s highs and lows including losing his father. He claims he’s floated through life loving, hating, gaining, losing, experimenting, witnessing, missioning, sinning, breaking the law, paying the consequences while openly and candidly writing about it all.

Jake plays solo acoustical performances and with his band at venues all over Oklahoma, Texas, and surrounding states. His single “Cowtown” will be released to Texas and Oklahoma radio in the Summer of 2017. Jake’s first CD, “I’m Not OK” is available on his website and all digital distribution outlets.
Venue Information:
Cain's Ballroom
423 N Main St.
Tulsa, OK, 74103
http://www.cainsballroom.com