New Politics

Everywhere I Go Tour 2014

New Politics

Bad Suns, SomeKindaWonderful

Fri Oct 24

Doors: 7:00 pm

Cain's Ballroom

Tulsa, OK

$17.00 - $32.00

This event is all ages


Show :: 8pm (times subject to change)

Advance $17 | Day of Show $20 | Door $20 | Mezzanine (21+) $32

There is a $2 fee that applies to each ticket purchased at the Cain's Box Office.

No re-entry! No smoking! No refunds!

Oklahoma Joe’s will be serving their full menu from 7pm – 9pm.

New Politics
New Politics
New Politics' self-titled debut, which came on via RCA in 2010, was centered on a singular motto. The Denmark trio, who uprooted their lives and relocated to Williamsburg after signing with the label, based everything on the notion of just saying "Fuck it." The phrase wasn't about apathy, it was about doing what felt right and making the sort of music they wanted to make. It worked: New Politics yielded raucous hit single "Yeah Yeah Yeah" and the band embarked on tour for nearly two years with the likes of 30 Seconds To Mars and Neon Trees, enrapturing fans with their intensely dynamic live shows, bolstered by David's impressive breakdancing skills. The band appeared on Jimmy Kimmel Live and Fuel TV's The Daily Habit, and earned scores of press, including accolades from Alternative Press. Doing what felt right to the band evolved into a big album with a bigger response.

When it came time to pen a follow-up to their formative album, New Politics hit a few roadblocks. David and Soren had hardly paused between the momentum of New Politics and this new disc, titled A Bad Girl In Harlem, jumping into writing within a week of getting off tour with the Dirty Heads in the spring of 2011. But they quickly realized that there was no plan or outline for the next album, and suddenly both musicians were single and living in Brooklyn, a fact that illuminated just how far they were from home.

Homesickness and culture shock set in, and New Politics were forced to grapple with their present musical identity. "I don't think any of us had really considered that we now would be doing a second album and the whole culture shock of coming over here was hitting us," Soren says. "The first album was a punk album and this one had to be taken to a whole new level, but we didn't actually know what that level was."

The process of writing A Bad Girl In Harlem proved long and arduous, but ultimately fruitful. The band came out of it with over 60 demos, many inspired by David's new single life. The musicians embraced a greater variety of musical styles, drawing influence equally from punk rock and pop music. The recording process coincided with the songwriting, and in fact a few of the disc's final tracks feature the original demo vocals, which resonate with a more genuine flair than the subsequent takes.

The songs' lyrics, too, were rooted in the musicians' shifting lives and experiences. "Harlem," the album's first single, was inspired a fling David had with a girl from Spanish Harlem, an area he never thought he'd visit. The throbbing rock number captures a boisterous party vibe and marked a turning point in the band's writing process for A Bad Girl In Harlem. "It came at a point when we were all like 'What the fuck is going on?'" Soren notes. "And the song came from us having fun. We were still a little afraid of changing but we just said 'Fuck it.' We realized we had nothing to lose and could do whatever we wanted."

So it turned out New Politics' old motto could be their new motto, even as the band shifted and evolved. The rest of the album, culled from the pile of demos, is notably varied, and follows in this raucous sensibility, even on standout "Stuck On You," an emotional piano ballad that reveals the group's introspective side. The punk aesthetic from New Politics lingers, but regardless of musical style Soren and David were mostly interested in capturing sincere moments in equally genuine music. "Everything has to come from the heart," David says. "Realizing onstage that you can do anything and if it's honest and from the heart, the rest will follow. Everything will follow. It's been really cool realizing that and bringing it into the album."

"I feel that we have never been this focused," Soren adds. "It's more than us being these crazy, jumping around musicians and just going with whatever flows. We have more of a mission. We went through something hard and now we're stronger than ever. I think that's the most important thing – it's actually been a great experience to fall down and rise again."
Bad Suns
Bad Suns
Southern California rock band Bad Suns formed in 2012 and in the short time since inception, have managed to be musically beyond their years. Made up of Christo Bowman (vocals), Gavin Bennett (bass), Miles Morris (drums) and Ray Libby (guitar) the four piece ranges from ages 19-22 yet has a sound reminiscent of rock stalwarts from generations past. "I grew up with a lot of world music playing in the house. When I was 10, I started getting heavily interested in the guitar, and my dad began introducing me to his records from the 70's and the 80's. Initially Elvis Costello, then to The Clash, The Cure, and so on," notes Chris. "All of these artists and bands had a big impact on me, at a young age, as far as song composition goes. " Influences are apparent on the band's upcoming EP Transpose, where angst-ridden riffs and ethereal yet charismatic vocals pay tribute to post-punk legends of the early 80's. " I started writing my first songs at that time," Chris continues, "Though we can now reflect on that era of music, those artists were ahead of their time in a lot of ways. That's what's most inspiring."

Transpose was recorded in the studio with producer Eric Palmquist (The Mars Volta, Wavves, Trash Talk) and serves as a prelude to the band's debut full-length slated for 2014. "The writing and recording process is always exciting, because it's constantly changing and unique to each song. Inspiration comes and goes as it pleases, so a night when a song gets written is a very good night," says Chris. Comprised of four tracks, Transpose flows effortlessly from start to finish showcasing the band's stadium ready anthems and undeniably catchy hooks. "Music has the ability to evoke certain feelings in people, a way that not much else can. The pairing of words and sounds can be an extremely powerful tool, when done right. I think the ultimate goal for this band is to make music that causes people to really feel something."

Aside from writing a record, Bad Suns' 2013 was a busy one, complete with multiple CMJ showcases as well as sharing the stage with the likes of The 1975 and Vaccines with no signs of slowing down any time soon. Transpose will be released everywhere in the early months of 2014.

"One day I just decided to be a musician, and I never strayed away from that goal. Being in a band is the only thing I can do."- Chris Bowman
SomeKindaWonderful
SomeKindaWonderful
Fateful encounters at Cleveland bars rarely lead to musical
mythology, but SomeKindaWonderful have a different kind of story to tell.

A three-piece featuring Jordy Towers (vocals/lyrics), as well as Matt Gibson (guitar) and Ben Schigel (drums), the genre-bending group came together after Towers became another casualty of the major label system. Once signed as a solo act, he refused to become another faceless persona and the label eventually left him hanging on the vine. Towers knew it was time for a reset and headed to Ohio to re-examine his life.

"I'm not the type to be defeated easily," says Towers. "You know, most people move to LA to make it, but I had to leave LA to find my path."

During a fateful trip to visit family in the suburban Cleveland town of Olmstead Falls (pop 9,000), it was there in January 2013 that Gibson and Schigel, two local musicians, crossed his path. Intending to just grab some beers at a local bar, they found much more than they had anticipated when they came across Jordy.

"We were basically a band without a lead singer and he was a lead singer without a band," says Schigel. "We headed back to our studio the night we met and literally three hours later our first song 'Reverse' was done."

To call "Reverse" the product of fate is an understatement. Endlessly catchy, the song feels both modern and classic, nodding to '60s soul and contemporary R&B with the dynamic range of big-room pop-rock and cinematic emotion. Its structure, which features Towers unraveling a backwards narrative with a cadence that merges rap and soul, provides a novel lyrical framework to a unique sound.

"It's an R&B soul rock record," says Towers. "It sort of mirrors my move from LA to Cleveland. That path is reversed from what you'd expect. Nothing is deliberate. Just like how we met, it's natural and all about the music. I still can't believe I met my musical soul mates at a bar in Ohio."

SomeKindaWonderful's debut album is slated for a Summer 2014 release via Downtown Records.
Venue Information:
Cain's Ballroom
423 N Main St.
Tulsa, OK, 74103
http://www.cainsballroom.com